Every New Netflix Movie We’ve Reviewed in 2026 (So Far), Ranked by Our Star Rating

The rise of streaming services has brought about a seismic shift in the way we consume entertainment. With Netflix at our fingertips, we can access an endless library of content available 24/7. However, this convenience comes with a price: quality control issues.

A recent review highlights a growing problem in the world of streaming: Netflix’s insatiable appetite for new content is outpacing its ability to produce high-quality movies. Our reviews paint a dismal picture, with only two films receiving above-average ratings (3 and 2.5 stars respectively). The quality gap is widening.

‘Ladies First’, for example, promised to tackle sexism through humor but ultimately fell flat, offering little more than unfunny gags. The reviewer noted that “the end result is a largely joyless comedy that wastes the talents of Rosamund Pike and offers viewers little to enjoy beyond a singular gag.” The film’s failure raises questions about Netflix’s content strategy.

The ‘Thrash’ survival thriller is another example of this phenomenon. While it had some decent performances, the reviewer noted that “it’s no must-watch.” The film’s attempts to please every shark movie fan only served to dilute its impact. In an era where streaming services are vying for our attention, perhaps it’s time for Netflix to reevaluate its priorities.

The ‘Office Romance’ rom-com is another flavorless addition to the Netflix catalog. Its conflicting tone and ill-matched leads highlight the genre’s stagnation. As one reviewer noted, “it doesn’t seem to have any aspiration of being anything other than a disposable rom-com in the first place.” This kind of content is precisely what we should be worried about: a homogenized approach that fails to challenge or engage us.

On the other hand, ‘Voicemails for Isabelle’ managed to charm its way into our hearts with strong performances from Zoey Deutch and Nick Robinson. It’s a pleasant enough rom-com, but one can’t help but feel that it’s a missed opportunity to push the boundaries of the genre.

Our ratings reflect the quality of these Netflix originals. Here are all the movies we’ve reviewed in 2026 so far, ranked by their star rating:

‘Voicemails for Isabelle’ (3 stars) - a pleasant enough rom-com with strong performances. ‘Thrash’ (2.5 stars) - a decent survival thriller that fails to impress. ‘Ladies First’ (1.5 stars) - a joyless comedy that wastes the talents of Rosamund Pike. ‘The Office Romance’ (1 star) - a flavorless rom-com that highlights the genre’s stagnation.

As we move forward in this brave new world of streaming, it’s essential that Netflix takes a long, hard look at its content strategy. With great power comes great responsibility, and it’s clear that quality control is a pressing issue. While some might argue that quality control is subjective, it’s clear that Netflix needs to make changes if it wants to maintain its position as the leading player in the streaming market.

The writing is on the wall: we need more originality, more risk-taking, and more willingness to push the boundaries of storytelling. Anything less will only serve to further erode our trust in the platform. It’s time for Netflix to ask itself what it truly stands for. Is it quantity over quality, or something more? Only time – and perhaps a few critical reevaluations – will tell.